Philippe Parreno, “Mont Analogue,” 2001-2020. © Philippe Parreno. Courtesy de l'artiste et Pinault Collection. Photo Aurélien Mole.
Philippe Parreno, A Manifestation of Objects, Watari Museum of Contemporary Art, Tokyo, 2019. Photo: Yasushi Ichikawa
Philippe Parreno, A Manifestation of Objects, Watari Museum of Contemporary Art, Tokyo, 2019. Photo: Yasushi Ichikawa
Phillipe Parreno, A Manifestation of Objects, Watari Museum of Contemporary Art, Tokyo, 2019. Photo: Yasushi Ichikawa
Phillipe Parreno, A Manifestation of Objects, Watari Museum of Contemporary Art, Tokyo, 2019. Photo: Yasushi Ichikawa
Philippe Parreno, Echo, Museum of Modern Art, New York, 2019
Philippe Parreno, Echo, Museum of Modern Art, New York, 2019
Philippe Parreno, Elsewhen, Espace Louis Vuitton, Venice, Italy, 2019. Photo: Andrea Rossetti
Philippe Parreno, Elsewhen, Espace Louis Vuitton, Venice, Italy, 2019. Photo: Andrea Rossetti
Philippe Parreno, Elsewhen, Espace Louis Vuitton, Venice, Italy, 2019. Photo: Andrea Rossetti
Philippe Parreno, Elsewhen, Espace Louis Vuitton, Venice, Italy, 2019. Photo: Andrea Rossetti
Philippe Parreno, La levadura y el anfitrión (The Yeast and The Host), 2017-18, installation view, Museo Jumex, Mexico City, Mexico.
Philippe Parreno, La levadura y el anfitrión (The Yeast and The Host), 2017-18, installation view, Museo Jumex, Mexico City, Mexico.
Philippe Parreno, La levadura y el anfitrión (The Yeast and The Host), 2017-18, installation view, Museo Jumex, Mexico City, Mexico.
Philippe Parreno, La levadura y el anfitrión (The Yeast and The Host), 2017-18, installation view, Museo Jumex, Mexico City, Mexico.
Philippe Parreno, Synchronicity, 2017, installation view, Rockbund Art Museum, Shanghai, China.
Philippe Parreno, Synchronicity, 2017, installation view, Rockbund Art Museum, Shanghai, China.
Philippe Parreno, A Time Coloured Space, 2017, installation view, Serralves Museum of Contemporary Art, Porto, Portugal. Photo: Andrea Rosseti.
Philippe Parreno, A Time Coloured Space, 2017, installation view, Serralves Museum of Contemporary Art, Porto, Portugal. Photo: Andrea Rosseti.
Philippe Parreno, A Time Coloured Space, 2017, installation view, Serralves Museum of Contemporary Art, Porto, Portugal. Photo: Andrea Rosseti.
Philippe Parreno, A Time Coloured Space, 2017, installation view, Serralves Museum of Contemporary Art, Porto, Portugal. Photo: Andrea Rosseti.
Philippe Parreno, ANYWHEN, 2016, installation view, Turbine Hall, Tate Modern, London, UK.
Philippe Parreno, ANYWHEN, 2016, installation view, Turbine Hall, Tate Modern, London, UK.
Philippe Parreno, ANYWHEN, 2016, installation view, Turbine Hall, Tate Modern, London, UK.
Philippe Parreno, ANYWHEN, 2016, installation view, Turbine Hall, Tate Modern, London, UK.
Philippe Parreno, H {N)Y P N(Y} OSIS, 2015, installation view, Park Avenue Armory, New York.
Philippe Parreno, H {N)Y P N(Y} OSIS, 2015, installation view, Park Avenue Armory, New York.
Philippe Parreno, H {N)Y P N(Y} OSIS, 2015, installation view, Park Avenue Armory, New York.
Philippe Parreno, H {N)Y P N(Y} OSIS, 2015, installation view, Park Avenue Armory, New York.
Philippe Parreno, 2015, installation view, Hangar Bicocca, Milan, Italy.
Philippe Parreno, 2015, installation view, Hangar Bicocca, Milan, Italy.
Philippe Parreno, 2015, installation view, Hangar Bicocca, Milan, Italy.
Philippe Parreno, 2015, installation view, Hangar Bicocca, Milan, Italy.
Installation view. Philippe Parreno, Quasi-Objects, 2014, Esther Schipper, Berlin
Installation view. Philippe Parreno, Quasi-Objects, 2014, Esther Schipper, Berlin
Installation view. Philippe Parreno, Quasi-Objects, 2014, Esther Schipper, Berlin
Installation view. Philippe Parreno, Quasi-Objects, 2014, Esther Schipper, Berlin
Installation view. Philippe Parreno, How Can We Tell the Dancers from the Dance, 2014, Schinkel Pavillion, Berlin
Installation view. Philippe Parreno, How Can We Tell the Dancers from the Dance, 2014, Schinkel Pavillion, Berlin
Installation view. Philippe Parreno, How Can We Tell the Dancers from the Dance, 2014, Schinkel Pavillion, Berlin
Installation view. Philippe Parreno, How Can We Tell the Dancers from the Dance, 2014, Schinkel Pavillion, Berlin
Installation view. Philippe Parreno, "Anywhere, Anywhere, Out Of The World", Palais de Tokyo, 2013, Paris, France.
Installation view. Philippe Parreno, "Anywhere, Anywhere, Out Of The World", Palais de Tokyo, 2013, Paris, France.
Installation view. Philippe Parreno, "Anywhere, Anywhere, Out Of The World", Palais de Tokyo, 2013, Paris, France.
Installation view. Philippe Parreno, "Anywhere, Anywhere, Out Of The World", Palais de Tokyo, 2013, Paris, France.
Installation view. Philippe Parreno, "Anywhere, Anywhere, Out Of The World", Palais de Tokyo, 2013, Paris, France.
Installation view. Philippe Parreno, "Anywhere, Anywhere, Out Of The World", Palais de Tokyo, 2013, Paris, France.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Cephalopods, a hand drawn animation film project with Roberto Prual Realvis, 2010, 2013, Screenprint, printed in phosphorescent ink, 39.5 x 55.5 inches, Edition of 6.
Philippe Parreno, Cephalopods, a hand drawn animation film project with Roberto Prual Realvis, 2010, 2013, Screenprint, printed in phosphorescent ink, 39.5 x 55.5 inches, Edition of 6.
Philippe Parreno, Cephalopods, a hand drawn animation film project with Roberto Prual Realvis, 2010, 2013, Screenprint, printed in phosphorescent ink, 39.5 x 55.5 inches, Edition of 6.
Philippe Parreno, Cephalopods, a hand drawn animation film project with Roberto Prual Realvis, 2010, 2013, Screenprint, printed in phosphorescent ink, 39.5 x 55.5 inches, Edition of 6.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn (installation view at Fondation Beyeler), 2012
Philippe Parreno, Marilyn (installation view at Fondation Beyeler), 2012
Philippe Parreno, C.H.Z., 2011, color film with sound, 13 min. 14 sec.
Philippe Parreno, C.H.Z., 2011, color film with sound, 13 min. 14 sec.
Philippe Parreno, C.H.Z., 2011, color film with sound, 13 min. 14 sec.
Philippe Parreno, C.H.Z., 2011, color film with sound, 13 min. 14 sec.
Philippe Parreno, C.H.Z. (installation view at Fondation Beyeler), 2011, color film with sound, 13 min. 14 sec.
Philippe Parreno, C.H.Z. (installation view at Fondation Beyeler), 2011, color film with sound, 13 min. 14 sec.
Philippe Parreno, Water Lilies, Fondation Beyeler, 2012
Philippe Parreno, Water Lilies, Fondation Beyeler, 2012
Philippe Parreno, June 8, 1968, Bard Center for Curatorial Center Studies, 2010
Philippe Parreno, June 8, 1968, Bard Center for Curatorial Center Studies, 2010
Philippe Parreno & Rirkrit Tiravanija, Stories are Propaganda, 2005
Philippe Parreno & Rirkrit Tiravanija, Stories are Propaganda, 2005
Philippe Parreno, AC/DC Snake, 2010, electric outlet adapters
Philippe Parreno, AC/DC Snake, 2010, electric outlet adapters
Philippe Parreno, AC/DC Snake, 2010, electric outlet adapters
Philippe Parreno, AC/DC Snake, 2010, electric outlet adapters
Philippe Parreno, ACDC Snakes (Installation view), 2010
Philippe Parreno, ACDC Snakes (Installation view), 2010
Philippe Parreno, ACDC Snakes, 2010
Philippe Parreno, ACDC Snakes, 2010
Philippe Parreno, ACDC Snakes, 2010
Philippe Parreno, ACDC Snakes, 2010
Philippe Parreno, Penguin Crossing, 2006, Reflective and flat vinyl mounted on aluminum, 37 1/2 diagonal
Philippe Parreno, Penguin Crossing, 2006, Reflective and flat vinyl mounted on aluminum, 37 1/2 diagonal
Philippe Parreno, Atlas of Clouds, 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Atlas of Clouds, 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Atlas of Clouds, 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Atlas of Clouds, 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Atlas of Clouds, 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Atlas of Clouds, 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Atlas of Clouds (detail), 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Atlas of Clouds (detail), 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Installation View at the Guggenheim, 2009
Philippe Parreno, Installation View at the Guggenheim, 2009
Philippe Parreno, Fraught Times: for eleven months of the year it's an artwork and in December it's Christmas, 2008, Cast aluminium, paint, musical score, 107 x 80 3/4 in. (272 x 205 cm)
Philippe Parreno, Fraught Times: for eleven months of the year it's an artwork and in December it's Christmas, 2008, Cast aluminium, paint, musical score, 107 x 80 3/4 in. (272 x 205 cm)
Philippe Parreno, Installation View at Kunsthalle Zurich, 2009
Philippe Parreno, Installation View at Kunsthalle Zurich, 2009
Philippe Parreno, Birthday candles, 2007
Philippe Parreno, Birthday candles, 2007
Philippe Parreno, Installation view
Philippe Parreno, Installation view
Philippe Parreno, Installation view
Philippe Parreno, Installation view
Philippe Parreno, Installation view
Philippe Parreno, Installation view
Douglas Gordon and Philippe Parreno, Zidane: A 21st Century Portrait, 2006, Video installation
Douglas Gordon and Philippe Parreno, Zidane: A 21st Century Portrait, 2006, Video installation
 Philippe Parreno, “Mont Analogue,” 2001-2020. © Philippe Parreno. Courtesy de l'artiste et Pinault Collection. Photo Aurélien Mole.
Philippe Parreno, “Mont Analogue,” 2001-2020. © Philippe Parreno. Courtesy de l'artiste et Pinault Collection. Photo Aurélien Mole.
Philippe Parreno, A Manifestation of Objects, Watari Museum of Contemporary Art, Tokyo, 2019. Photo: Yasushi Ichikawa
Philippe Parreno, A Manifestation of Objects, Watari Museum of Contemporary Art, Tokyo, 2019. Photo: Yasushi Ichikawa
Phillipe Parreno, A Manifestation of Objects, Watari Museum of Contemporary Art, Tokyo, 2019. Photo: Yasushi Ichikawa
Phillipe Parreno, A Manifestation of Objects, Watari Museum of Contemporary Art, Tokyo, 2019. Photo: Yasushi Ichikawa
Philippe Parreno, Echo, Museum of Modern Art, New York, 2019
Philippe Parreno, Echo, Museum of Modern Art, New York, 2019
Philippe Parreno, Elsewhen, Espace Louis Vuitton, Venice, Italy, 2019. Photo: Andrea Rossetti
Philippe Parreno, Elsewhen, Espace Louis Vuitton, Venice, Italy, 2019. Photo: Andrea Rossetti
Philippe Parreno, Elsewhen, Espace Louis Vuitton, Venice, Italy, 2019. Photo: Andrea Rossetti
Philippe Parreno, Elsewhen, Espace Louis Vuitton, Venice, Italy, 2019. Photo: Andrea Rossetti
Philippe Parreno, La levadura y el anfitrión (The Yeast and The Host), 2017-18, installation view, Museo Jumex, Mexico City, Mexico.
Philippe Parreno, La levadura y el anfitrión (The Yeast and The Host), 2017-18, installation view, Museo Jumex, Mexico City, Mexico.
Philippe Parreno, La levadura y el anfitrión (The Yeast and The Host), 2017-18, installation view, Museo Jumex, Mexico City, Mexico.
Philippe Parreno, La levadura y el anfitrión (The Yeast and The Host), 2017-18, installation view, Museo Jumex, Mexico City, Mexico.
Philippe Parreno, Synchronicity, 2017, installation view, Rockbund Art Museum, Shanghai, China.
Philippe Parreno, Synchronicity, 2017, installation view, Rockbund Art Museum, Shanghai, China.
Philippe Parreno, A Time Coloured Space, 2017, installation view, Serralves Museum of Contemporary Art, Porto, Portugal. Photo: Andrea Rosseti.
Philippe Parreno, A Time Coloured Space, 2017, installation view, Serralves Museum of Contemporary Art, Porto, Portugal. Photo: Andrea Rosseti.
Philippe Parreno, A Time Coloured Space, 2017, installation view, Serralves Museum of Contemporary Art, Porto, Portugal. Photo: Andrea Rosseti.
Philippe Parreno, A Time Coloured Space, 2017, installation view, Serralves Museum of Contemporary Art, Porto, Portugal. Photo: Andrea Rosseti.
Philippe Parreno, ANYWHEN, 2016, installation view, Turbine Hall, Tate Modern, London, UK.
Philippe Parreno, ANYWHEN, 2016, installation view, Turbine Hall, Tate Modern, London, UK.
Philippe Parreno, ANYWHEN, 2016, installation view, Turbine Hall, Tate Modern, London, UK.
Philippe Parreno, ANYWHEN, 2016, installation view, Turbine Hall, Tate Modern, London, UK.
Philippe Parreno, H {N)Y P N(Y} OSIS, 2015, installation view, Park Avenue Armory, New York.
Philippe Parreno, H {N)Y P N(Y} OSIS, 2015, installation view, Park Avenue Armory, New York.
Philippe Parreno, H {N)Y P N(Y} OSIS, 2015, installation view, Park Avenue Armory, New York.
Philippe Parreno, H {N)Y P N(Y} OSIS, 2015, installation view, Park Avenue Armory, New York.
Philippe Parreno, 2015, installation view, Hangar Bicocca, Milan, Italy.
Philippe Parreno, 2015, installation view, Hangar Bicocca, Milan, Italy.
Philippe Parreno, 2015, installation view, Hangar Bicocca, Milan, Italy.
Philippe Parreno, 2015, installation view, Hangar Bicocca, Milan, Italy.
Installation view. Philippe Parreno, Quasi-Objects, 2014, Esther Schipper, Berlin
Installation view. Philippe Parreno, Quasi-Objects, 2014, Esther Schipper, Berlin
Installation view. Philippe Parreno, Quasi-Objects, 2014, Esther Schipper, Berlin
Installation view. Philippe Parreno, Quasi-Objects, 2014, Esther Schipper, Berlin
Installation view. Philippe Parreno, How Can We Tell the Dancers from the Dance, 2014, Schinkel Pavillion, Berlin
Installation view. Philippe Parreno, How Can We Tell the Dancers from the Dance, 2014, Schinkel Pavillion, Berlin
Installation view. Philippe Parreno, How Can We Tell the Dancers from the Dance, 2014, Schinkel Pavillion, Berlin
Installation view. Philippe Parreno, How Can We Tell the Dancers from the Dance, 2014, Schinkel Pavillion, Berlin
Installation view. Philippe Parreno, "Anywhere, Anywhere, Out Of The World", Palais de Tokyo, 2013, Paris, France.
Installation view. Philippe Parreno, "Anywhere, Anywhere, Out Of The World", Palais de Tokyo, 2013, Paris, France.
Installation view. Philippe Parreno, "Anywhere, Anywhere, Out Of The World", Palais de Tokyo, 2013, Paris, France.
Installation view. Philippe Parreno, "Anywhere, Anywhere, Out Of The World", Palais de Tokyo, 2013, Paris, France.
Installation view. Philippe Parreno, "Anywhere, Anywhere, Out Of The World", Palais de Tokyo, 2013, Paris, France.
Installation view. Philippe Parreno, "Anywhere, Anywhere, Out Of The World", Palais de Tokyo, 2013, Paris, France.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Cephalopods, a hand drawn animation film project with Roberto Prual Realvis, 2010, 2013, Screenprint, printed in phosphorescent ink, 39.5 x 55.5 inches, Edition of 6.
Philippe Parreno, Cephalopods, a hand drawn animation film project with Roberto Prual Realvis, 2010, 2013, Screenprint, printed in phosphorescent ink, 39.5 x 55.5 inches, Edition of 6.
Philippe Parreno, Cephalopods, a hand drawn animation film project with Roberto Prual Realvis, 2010, 2013, Screenprint, printed in phosphorescent ink, 39.5 x 55.5 inches, Edition of 6.
Philippe Parreno, Cephalopods, a hand drawn animation film project with Roberto Prual Realvis, 2010, 2013, Screenprint, printed in phosphorescent ink, 39.5 x 55.5 inches, Edition of 6.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Fade to Black, 2013, installation view, 1301PE.
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn, 2012
Philippe Parreno, Marilyn (installation view at Fondation Beyeler), 2012
Philippe Parreno, Marilyn (installation view at Fondation Beyeler), 2012
Philippe Parreno, C.H.Z., 2011, color film with sound, 13 min. 14 sec.
Philippe Parreno, C.H.Z., 2011, color film with sound, 13 min. 14 sec.
Philippe Parreno, C.H.Z., 2011, color film with sound, 13 min. 14 sec.
Philippe Parreno, C.H.Z., 2011, color film with sound, 13 min. 14 sec.
Philippe Parreno, C.H.Z. (installation view at Fondation Beyeler), 2011, color film with sound, 13 min. 14 sec.
Philippe Parreno, C.H.Z. (installation view at Fondation Beyeler), 2011, color film with sound, 13 min. 14 sec.
Philippe Parreno, Water Lilies, Fondation Beyeler, 2012
Philippe Parreno, Water Lilies, Fondation Beyeler, 2012
Philippe Parreno, June 8, 1968, Bard Center for Curatorial Center Studies, 2010
Philippe Parreno, June 8, 1968, Bard Center for Curatorial Center Studies, 2010
Philippe Parreno & Rirkrit Tiravanija, Stories are Propaganda, 2005
Philippe Parreno & Rirkrit Tiravanija, Stories are Propaganda, 2005
Philippe Parreno, AC/DC Snake, 2010, electric outlet adapters
Philippe Parreno, AC/DC Snake, 2010, electric outlet adapters
Philippe Parreno, AC/DC Snake, 2010, electric outlet adapters
Philippe Parreno, AC/DC Snake, 2010, electric outlet adapters
Philippe Parreno, ACDC Snakes (Installation view), 2010
Philippe Parreno, ACDC Snakes (Installation view), 2010
Philippe Parreno, ACDC Snakes, 2010
Philippe Parreno, ACDC Snakes, 2010
Philippe Parreno, ACDC Snakes, 2010
Philippe Parreno, ACDC Snakes, 2010
Philippe Parreno, Penguin Crossing, 2006, Reflective and flat vinyl mounted on aluminum, 37 1/2 diagonal
Philippe Parreno, Penguin Crossing, 2006, Reflective and flat vinyl mounted on aluminum, 37 1/2 diagonal
Philippe Parreno, Atlas of Clouds, 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Atlas of Clouds, 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Atlas of Clouds, 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Atlas of Clouds, 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Atlas of Clouds, 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Atlas of Clouds, 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Atlas of Clouds (detail), 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Atlas of Clouds (detail), 2005, Neon light, transformers, switchers, 39 x 61 in.
Philippe Parreno, Installation View at the Guggenheim, 2009
Philippe Parreno, Installation View at the Guggenheim, 2009
Philippe Parreno, Fraught Times: for eleven months of the year it's an artwork and in December it's Christmas, 2008, Cast aluminium, paint, musical score, 107 x 80 3/4 in. (272 x 205 cm)
Philippe Parreno, Fraught Times: for eleven months of the year it's an artwork and in December it's Christmas, 2008, Cast aluminium, paint, musical score, 107 x 80 3/4 in. (272 x 205 cm)
Philippe Parreno, Installation View at Kunsthalle Zurich, 2009
Philippe Parreno, Installation View at Kunsthalle Zurich, 2009
Philippe Parreno, Birthday candles, 2007
Philippe Parreno, Birthday candles, 2007
Philippe Parreno, Installation view
Philippe Parreno, Installation view
Philippe Parreno, Installation view
Philippe Parreno, Installation view
Philippe Parreno, Installation view
Philippe Parreno, Installation view
Douglas Gordon and Philippe Parreno, Zidane: A 21st Century Portrait, 2006, Video installation
Douglas Gordon and Philippe Parreno, Zidane: A 21st Century Portrait, 2006, Video installation
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